Netflix Clone

You receive a branded Android app, an iOS app, a web app, an admin panel and a producer panel, plus the Laravel backend and APIs. Source code, rebranding, deployment support, app store submission help and handover documentation are all part of the package, white-labeled under your brand.

The ready-made build costs $3,699, one time. A standard rollout goes live in 6 working days. Tailored work such as Smart TV apps, DRM integration or complex producer payout logic is confirmed with us and takes 2 to 8 weeks depending on scope. The package includes the backend, viewer apps, web platform, admin dashboard and producer panel.

Yes. Subscription plans can be weekly, monthly or yearly, with pricing, duration, access rules, limits and invoices. Rentals and pay-per-view unlock single titles with expiry windows, purchase history and invoices. Coupons can be mapped to plans or content.

Producers log in to their own panel, submit proposals, metadata, documents and media, and track views and watch minutes. An admin approves or rejects each submission before it publishes. Producers manage bank details and request payouts, which the admin reviews against watch-minute logs.

The platform logs minutes watched per title and links them to payouts. Sharing runs on configured rules, such as minutes viewed or the terms you approve for each piece of content. You set the rules, and the admin dashboard shows revenue, logs and payout status.

Playback is DRM-ready, and we set up the DRM vendor integration with license URLs for your deployment. If you plan to license studio content, tell us early, because rights holders often require DRM and the integration depends on your provider.

The package covers Android, iOS and web, and the backend is API-ready for TV clients. We build native apps for Android TV, Apple TV, Fire TV, Roku, Samsung or LG, scoped per platform. Tailored work takes 2 to 8 weeks depending on scope.

Yes. The platform supports API-based content acquisition, including Filmhub-style or direct provider integrations. The scope depends on your API access, content rights and technical requirements, and we confirm it with you before work starts. Tailored work of this kind takes 2 to 8 weeks depending on scope.

The mobile apps use Flutter, while the web platform and backend use PHP Laravel on MySQL or MariaDB. Streaming supports HLS, MP4 and external URLs, and deployment runs on AWS, GCP or DigitalOcean with S3, Bunny CDN or Cloudflare. It is conventional, so your own engineers can extend it.

You get 60 days of technical support and 1 year of free updates, and our first response comes within 2 hours, Monday to Saturday, 10:00 to 19:00 IST. Extended maintenance options are available if you want them beyond that period. Handover documentation and app store submission support are part of the delivery.

No. The platform ships without any titles, and acquiring content and holding the rights to stream it in your territories is the business you are starting. You can upload your own library, accept producer submissions or onboard partner catalogs through the acquisition API once the rights are in place.

Yes. Access is configured per title and per plan, so a film can be included for subscribers, offered as a rental to everyone else and held back as a premium unlock at release. Choosing the mix is a pricing decision made in the console, not a development task.

Yes. The viewer apps support subtitles, alternate audio tracks, quality selection and offline downloads, along with resume playback and Continue Watching. What a specific title offers depends on the files you upload, because subtitles and extra tracks have to exist for the title.

You can, but you will need partners ready to submit content, because the catalog will be empty at the start. Many operators begin with a seed library of their own and open producer submissions once they can review them reliably.

Playback stops, because the expiry window is tracked by the platform. The viewer keeps the invoice and rental history in their account, and the title can be rented again if you allow it. The length of the window is a setting you choose per deployment.

Yes. A live TV module supports channels with categories, stream URLs or embeds and free or plan-gated access, and pay-per-view can sell individual events. Delivery capacity during a big event depends on your CDN and cloud setup, so plan it with your provider.

Region-wise availability and content rules are part of the app control settings. More detailed territory windows that activate and expire by contract date, or country-specific age-gating, are governance work that we scope with you.

No. It is an independent white-label platform that offers a similar viewing model under your brand, plus features the original does not offer, such as rentals, a producer panel and watch-minute revenue sharing. It carries none of the original code, content or branding and is not affiliated with it.

SVOD is subscription access to a library. AVOD is free viewing paid for by ads. TVOD sells single titles through rental or purchase. FAST means free channels with ads that play like linear television. This platform ships subscriptions, rentals and pay-per-view, with ads and sponsorship as an extension, so you can mix them.

It depends on your licensing contracts. Studios and distributors often name the systems they accept, commonly Widevine, FairPlay or PlayReady. The platform is DRM-ready, and a vendor integration is scoped per deployment. Raise the requirement at the start, because it can shape hosting and scope.

Multiply expected hours watched by the data a stream uses at your chosen quality to get data delivered, then apply your provider rate. Add storage for the catalog and preparation of new titles. Run the sum for a quiet month and a premiere month. We do not quote a figure because rates vary.

Yes, we build native apps for those platforms for you, one platform at a time with its own store approval. The phone apps and web platform ship by default. If television is central to your plan, scope it at the beginning.

It depends on what you value. Hosted software means a vendor runs releases and infrastructure for a recurring fee. An owned platform means a one-time price, source code and freedom to change anything, with your team or ours doing the operating. Choose by who you want responsible for the product.

Licensing is a commercial and legal matter, and we do not give legal advice. In general you secure written rights for each title, for the territories and windows you plan to use, from the rights holder. Own productions and independent producers submitting through the panel are the simplest starting point.

Track how many viewers subscribe and stay, minutes watched per member, how many viewers move from a free title to a paid one, and how delivery cost compares with revenue for each plan. The admin reports and watch-minute logs supply much of this, and your payment provider covers the rest.

Yes. A live TV module sits in the same app as on-demand, with channel categories, stream links or embeds and free or plan-gated access. You supply the channel streams. Plan delivery capacity for live events and confirm rights for anything you rebroadcast.

If you have no content, no rights and no plan to reach viewers, software will not fix that. A platform helps when you hold or can attract titles, can describe your audience and are ready to market. Without those, start by testing demand on an existing service.

Yes. The producer panel shows views, watch minutes and revenue share for their own submissions, and lets them request payouts, which an admin reviews. Producers see only their own catalog and earnings, so you can onboard many without exposing one partner data to another.