DramaBox Clone

The ready-made white-label platform is $3,999 one time and goes live on your server in about 6 working days, once we have brand assets, hosting access, your catalog and merchant accounts. Extra locales, a live ad network, CDN setup and store publishing are available, with scope confirmed with us. Tailored work runs 2 to 8 weeks.

English, Hebrew, Hindi, Arabic and Spanish. Hebrew and Arabic use right-to-left layout on the web app, the Flutter app and the console. You can edit any client wording from the console and choose which locale new visitors see first.

Yes. Adding a locale means a flag and a translation pack, and the console editor handles the wording from there. We set up additional locales for you, so tell us the language and we confirm the scope. Note that some later Hindi, Arabic and Spanish web strings fall back to English until you complete that copy.

A currency catalog holds operator-set rates and a default, which decides what checkout displays. You set the catalog and gateways per deployment. Regional pricing is available too: it charges different local prices per country, and we set it up with scope confirmed with us.

Attach region chips to a title and it only appears on shelves in those territories. Titles can also carry dated licence windows. These tools support your rights management, but you remain responsible for holding valid licences in every market you sell into.

PayPlus hosted checkout is the primary path. Stripe, Razorpay, Flutterwave and Play switches are also present, and purchases are confirmed with the processor on the server before coins or VIP days are credited. You bring the merchant accounts, and we connect them.

No. Episodes can hold multiple subtitle tracks and selectable audio tracks, and the series language catalog is separate from interface copy. A viewer can run the app in Arabic and watch with Spanish subtitles, for example. Interface wording is edited as data in the console, so a copy change needs no rebuild.

Yes, completely. You receive the web app, the Next.js console, the Express API, the Flutter app, a seed script and deployment configuration. There is no per-seat fee and no revenue share. Optional Plus modules arrive only if you buy them, as separate folders.

You operate it under your own brand and your own licensed catalog. The software follows common micro drama patterns and carries no code, design or content from any existing app. We are not affiliated with DramaBox, and rights and compliance in each country stay with you. This is not legal advice.

Yes. A language picker is available in the web app and the store app, and the choice persists. You also set a default locale in settings for first-time visitors, so a viewer arriving from a specific market can be greeted in the language you expect before they touch anything.

Episodes support selectable audio tracks and subtitle tracks stored per episode, so a dubbed audio file can sit beside the original. The series language catalog is separate from interface language. How you organize dubs, as one title with tracks or as separate titles per language, is a catalog decision for your team.

Yes, the full layout reverses on the web app, the Flutter app and the console, not just the text direction. Some later Hindi, Arabic and Spanish web strings currently fall back to English, so plan a copy review with native readers before launch and complete any strings that remain.

Add each currency to the catalog with a rate you set, choose a default per market and create the packs and plans that suit it. The default currency drives what checkout displays. Rates are set by you and are not a live feed, so review them whenever exchange rates move enough to matter.

Yes. Region chips on the title restrict where it surfaces, and a licence window controls when it publishes and retires. Signed expiring playback links with geo rules add another layer at file level. You remain responsible for entering the correct territories and dates for every title.

No. A single Flutter binary carries all five locales, and the viewer or the default setting selects one. That keeps store management simple, with one listing per brand. If you want separate store listings for separate markets, we can set that up for you with scope confirmed with us.

Yes. The console is a web application with named roles, so teams in different countries can share it while seeing only the modules their role allows. The one-hour session limit applies to each login, and the country filter on users helps each team focus on its own audience.

No. The platform ships five locales of interface copy and an editor for changing wording. It does not translate your series content, subtitles or marketing text. You supply subtitle files and audio tracks, and your reviewers check every language before it goes live.

Consumer apps in the same space include ReelShort, ShortMax, GoodShort, NetShort and DramaWave, which differ in catalog, markets and monetization details. They are apps to watch on, not platforms to own. A white-label DramaBox style clone is for operators who want to run their own service, with their own catalog, brand and prices.

Start where you can serve the audience properly: a language you can subtitle or dub well, a rail viewers trust and titles you are licensed to show there. A less crowded language market often costs less to reach than a crowded one. Test with a small local group before spending on acquisition.

Yes. Episodes hold subtitle files and selectable audio tracks, so one title can offer the original audio, a dub and several subtitle languages. Some operators prefer separate titles per dub for clearer reporting. Both are catalog choices, and the series language is kept apart from the interface language the viewer picked.

They depend on where you operate and where viewers live. Expect to deal with content licensing for each territory, data privacy rules, consumer and payment rules, and store policies. The platform gives you region targeting, license windows and data export or delete tools. It does not give legal advice, so consult a lawyer for your markets.

Use layers. Playback links are signed and expire, titles carry territory rules and license windows, and the access rule is checked on every request. DRM and adaptive streaming are available for catalogs that require them. No control stops every copier, so set realistic expectations with licensors.

No. One binary carries all five interface locales, and viewers pick their language inside the app. You can still publish separate store listings per market if your branding calls for it, which is a marketing choice rather than a technical need. Store accounts and review timelines are yours to manage.

Compare what you pay to run the service with what viewers pay you. Costs include the platform price of $3,999, licensed or produced titles, hosting and bandwidth, payment fees, store commission where billing applies and support staff. Revenue comes from coins, passes and ads. Your own tests set the numbers, so avoid borrowing figures from other operators.

Licensing titles for each territory, producing good subtitles and dubs, finding payment rails that viewers trust, and acquiring audiences at a sensible cost. Store fees and moderation in several languages also add up. The software removes the build problem. The editorial, rights and acquisition work still needs a plan and a budget.

Neither ships in the standard build. The product is a web app, a Flutter store app and a console. If your audience watches on televisions or travels often, we can build both, so confirm scope with us before promising them. Because you own the source, either can be added by our team or yours.

Yes, because price sits on each episode. A dubbed version kept as its own title can carry its own coin prices, and a region chip can limit it to the markets where that price makes sense. If the dub is a track on the original title, price follows the episode instead.